Archive for June, 2007
A reporter’s account of the fight over what influences hurricanes.
Poetry at the Gates of Fury
Saturday, June 30th, 2007ALA: Mock Printz, Real Enthusiasm
Friday, June 29th, 2007
My favorite moment at the American Library Association conference in Washington D.C. this past weekend--perhaps of any conference in the past couple of years--was meeting members of the Eva Perry Library Mock Printz Committee from North Carolina.
They are, from left to right: Eileen Schilling, Emie Devita, Allison Kupatt, Natalie Hellman, Kirsten Balshaw, and Anna Wormsbecher. A more compelling and inspiring image of the future of reading couldnt be conjured up by anyone, I dont think.

These teenagers descended like a wave of unbridled enthusiasm upon the Prime / Juno book table as I was visiting with a friend and proceeded to energize all of us with their friendliness and sense of fun. They were so excited to have a chance to visit all of the booths and to discover new books. It just made me feel good to be in the business. --Jeff
Sympathy for the Devil: Talking with Marco Pierre White
Friday, June 29th, 2007
In The Devil in the Kitchen, Marco Pierre White, the most decorated chef in British history and still the youngest chef ever to win three Michelin stars, offers an absorbing account of his storied career, presenting a searing portrait of a culinary genius. White returned his three stars in 1999, stepping away from the stove to enter the next phase of his life as an extremely successful restaurateur.White was recently on a whirlwind tour of the States and I was one of many who attended a sold-out dinner in his honor at Ethan Stowell's restauant Union during his Seattle stop. "Larger-than-life" is a phrase that's all too fitting for the former chef. His presence filled the room as bounded table to table, eventually tiring of that and holding court at the end of our table as a parade of diners and dozens of young chefs swarmed him like rock star. While I was seated at his table it was almost two hours before I actually got to meet him and when I finally did he grabbed me across the banquette, pulling me to him and planting a big kiss on me. When he signed my book he wrote out his mobile number with the inscription: "When in London, let me feed you... The Great White"
I left Union just as the second of Marco's signature "house cocktail" (a glass filled to the brim with flaming Sambuca) made its appearance, but before I left he stood up, looming over me. "Come here, big boy. I'm going to hold you like only a man can," and enveloped me in an enormous bear hug. (I swear I heard a rib crack during our embrace.)
I joined Marco at his hotel very early the next morning for breakfast and after a brief constitutional he stopped by our offices to sit down for an interview. Some highlights are below, and you can listen to our entire chat via podcast on Amazon Wire. --BTP
Amazon.com: What is the reader reaction to your book? How has it been different in the States compared to the UK?
MPW: More chefs, I'd say, buy my book in America than in England. It's extraordinary, really. They can't believe that I've done my memoirs, but then they all talk about how can we get a copy of White Heat? That book I started 20 years ago and it came out in 1990. Then they tell me how much it's selling on eBay. It's just staggering.
MPW: More chefs, I'd say, buy my book in America than in England. It's extraordinary, really. They can't believe that I've done my memoirs, but then they all talk about how can we get a copy of White Heat? That book I started 20 years ago and it came out in 1990. Then they tell me how much it's selling on eBay. It's just staggering.Amazon.com: What was it about that book that connected with chefs and line-cooks in particular?
MPW: I think what it did was it questioned the whole world of gastronomy. Secondly, it gave people an insight into the kitchen for the very first time. When I was a boy, the only people who worked in kitchens tended to be from very humble beginnings--working class people. But today you've got all sections of society in the kitchen--aristocrat's children, the wealthy, the working class. It's this fantastic melting pot of different sections of society all under one roof. The restaurant world is the foreign legion. It accepts everybody who's prepared to walk through its doors without asking questions.
Amazon.com: With chefs, the hours are horrible, the conditions aren't always optimal, the pay isn't great... What is behind the passion of a chef?
MPW: When I was a boy, we went to work to learn our trade. There was no such thing as a celebrity chef. You had to work seven days a week--15, 16, 17 hours a day--you didn't question it. And then one day the celebrity chef was invented. And the problem with a lot of the industry today, a lot of people walk through your door and their motive is to be a celebrity, to be on TV. It was a different world from that world that I walked into. And partly one of the reasons why I left my work is because I didn't understand the modern world of chefs more interested in time off and how much was in their pocket and being celebrities. I couldn't change. I was a dinosaur in the end.
MPW: When I was a boy, we went to work to learn our trade. There was no such thing as a celebrity chef. You had to work seven days a week--15, 16, 17 hours a day--you didn't question it. And then one day the celebrity chef was invented. And the problem with a lot of the industry today, a lot of people walk through your door and their motive is to be a celebrity, to be on TV. It was a different world from that world that I walked into. And partly one of the reasons why I left my work is because I didn't understand the modern world of chefs more interested in time off and how much was in their pocket and being celebrities. I couldn't change. I was a dinosaur in the end.
Amazon.com: We talked last night about celebrity chefs who run into a problem when they open more and more restaurants that the public expects them to be there. Do you think celebrity chefs spread themselves too thin or is it an unrealistic expectation to have them behind the line when you go in as a customer?
MPW: If you have a reputation to defend, to protect--two stars, three stars in the Michelin--you should be behind your stove. The simple reason is, those people are paying high prices to eat your food. They expect you behind the stove, they expect you to be there, they expect you to cook their dinner or contribute to their dinner. They don't expect you to be on a TV show or miles away in another country. See, I have nothing to defend. I let go of my status. What I like about coming to America is it gives me a great opportunity to share my story with a few special people, like today with yourself.
Amazon.com: I heard this summer you're stepping in as the UK host of Hell's Kitchen. What made you want to get back in the spotlight?
MPW: I'm a boy who loves his profession--I love the restaurant world. And what I find TV's doing in the UK to the industry is devaluing its currency. If you look at Hell's Kitchen in the UK it doesn't encourage or inspire anyone to send their children into the industry. It's got to be interesting, it's got to be educational, it's got to be intelligent. Viewers at home want to see food. They don't want to see someone constantly swearing or belittling. I want to give people insight into what a professional kitchen is really about. There's a lot of love, there's a lot of romance. People help each other, people work with each other. My chef used to shout at me, but service was service. There's nothing wrong with an old-fashioned bollocking.
Amazon.com: Do you think any of those bollockings will make an appearance?
MPW: I'm sure they will. But you've got to put a little humor into your bollockings. In my kitchen, if I gave a bollocking to somebody, I did so in a way that it made the others smile or laugh. The guy that had a bollocking five minutes ago, he's now off the hook--he's now smiling at the other guy having a bollocking. You've got to put a bit of humor into it.
MPW: I'm sure they will. But you've got to put a little humor into your bollockings. In my kitchen, if I gave a bollocking to somebody, I did so in a way that it made the others smile or laugh. The guy that had a bollocking five minutes ago, he's now off the hook--he's now smiling at the other guy having a bollocking. You've got to put a bit of humor into it.
Amazon.com: And the only right answer is Yes, Chef... Yes, Chef...
MPW: That's all they say... Programmed at a very young age.
Amazon.com: Finally, what would you order for your death-row meal?
MPW: I would have things like gulls eggs with celery salt. A great roast chicken or caviar or smoked salmon. Very simple things, but all delicious quality.
MPW: I would have things like gulls eggs with celery salt. A great roast chicken or caviar or smoked salmon. Very simple things, but all delicious quality.
Amazon.com: And to drink?
MPW: Hmmm... I'd have to have the house cocktail
Starting at the End of a Screenplay
Friday, June 29th, 2007
Ugur Akinci writes in The American Chronicle that screenwriters should start with the ending when writing a screenplay. After you've figured out your ending, Akinci says to move on to steps 2-6.
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2. Think your way backwards, all the way to the beginning of your script. Try to see the whole movie playing from beginning to the end on that little movie screen inside your forehead.It may not work for everyone, but if you get stuck why not start from the ending?
3. Chop your story into 18 to 25 sequences.
4. Divide each sequence into 3 to 5 scenes.
5. Sit down and write the whole thing as quickly as possible from start to finish, without stopping for any reflection or self-criticism. The minute you stop and start "thinking" about it, the chances are you will freeze and never get done.
6. Once you finish your 100 to 120 pages, you can re-write, edit and polish to your heart's content. Yes, writing is rewriting. But "writing" -- and not the "rewriting" -- comes first.
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The New York Times Book Review: Back Issues
Friday, June 29th, 2007
Complete contents of the Book Review since 1997.
The Funny Pages | Sunday Serial: ‘Doors Open’
Friday, June 29th, 2007
Last Week: Mike, Allan, the professor and four henchmen sent by Chib Calloway stole eight paintings from the National Gallery warehouse on Doors Open Day.
TBR: Inside the List
Friday, June 29th, 2007
Richard Bachman died of “cancer of the pseudonymâ€; looking back to when “The Thorn Birds†was the No. 1 title.
Evening Dawns
Friday, June 29th, 2007
The movie adaptation of Evening, Susan Minot's poignant tale of paths not taken and the persistence (and vagaries) of memory hits the theaters today, with a screenplay by The Hours author Michael Cunningham and an all-star cast featuring Claire Danes, Meryl Streep, Vanessa Redgrave, Glenn Close, Natasha Richardson, and more. Check out the trailer, then watch cast members discuss the film, including:- Hugh Dancy on using the novel to prepare for his role, as well as the potential male audience response to a "chick flick"
- Claire Danes on how one watershed weekend shapes her character's life
- Evening author Susan Minot on the evolution of her book from short story to novel, as well as the its transformation to the silver screen
Daily Book News
Friday, June 29th, 2007Southern Man: Paper Cuts, the NY Times' books blog, reminds readers that today marks what would have been the 55th birthday of writer Breece D'J Pancake, who tragically killed himself in 1979 at the age of 26. His postumously published story collection was published to great acclaim four years later in 1983.
London Writing: Publishers Weekly reports that Weinstein Books has secured US rights to new British PM Gordon Brown's Courage: Eight Portraits (coming in May 2008).
A (Bed)Room of One's Own: The Guardian talks with Gary Shteyngart, whose novel Absurdistan is now out in paperback. Fun fact: he writes in bed. (link via Critical Mass)
Beach Reading: Get ready to fill up your beach back this Fourth of July with a little help from New York magazine's "The Ten Books of Summer."
Flick Lit: The star-studded film adaptation of Susan Minot's moving 1998 novel Evening (with a screenplay by Pulitzer Prize-winning author Michael Cunningham) lands in theatres this weekend.
--BTP
Keepers of the Faith
Friday, June 29th, 2007
A scholar finds that in ancient Greece, religion meant power for women.
Court Awards Damages in J.T. LeRoy Fraud Case
Friday, June 29th, 2007
San Francisco writer Laura Albert lost big in court when a federal jury awarded the production company $116,500. The jury agreed that Albert had defrauded Antidote International Films Inc. who lied to the company by pretending she was a male prostitute named J.T. LeRoy. The case is a total embarrassment for the literary community which embraced LeRoy's writing and endless sob stories about his tortured youth. Not only were any of the stories true, J.T. LeRoy never existed anywhere but in the mind of Ms. Albert.
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To extend the ruse, Albert's friends donned wigs and posed as the fictitious LeRoy at book signings. They duped journalists with the phony back story about a past as an underage male prostitute. Albert even made phone calls to a psychiatrist while posing as the troubled teen, and grabbed the attention of such authors as Tobias Wolff and Dave Eggers, and filmmaker Gus Van Sant.Laura Albert is a con artist, pure and simple. The verdict was more than fair.
Although Albert stared straight ahead when the verdict was read, and said she expected the decision, she was quick to condemn it. "This goes beyond me," Albert said. "Say an artist wants to use a pseudonym for political reasons, for performance art. This is a new, dangerous brave new world we are in."
She said that Antidote had succeeded in exposing more of her life story during the trial, and will try to make more money off of it.
"They made my life public domain. It's about commerce," she said. "They're going to try to hijack my copyrights, which is like stealing my child."
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Early Glimpse of What the New William Gibson Novel Might Have Been
Friday, June 29th, 2007
It's been four years since William Gibson's last novel, Pattern Recognition, which brought his visions of the future into the weirdly futuristic present and which put him as high on the bestseller and best of the year lists (it was my favorite book of 2003) as he's ever been. His new novel, Spook Country, which comes out on August 7, stays in the recognizable present, and shares a character with Pattern Recognition, the possibly malevolent Hubertus Bigend (who, like me, just turned 40). As of today, you can (sort of) get an exclusive early look at the book: we've posted his original proposal for the novel. I say "sort of" because none of the major characters outlined actually ended up in the final book, although you can see their echoes in the characters who did. But what did survive is perhaps the main force in the book, as Gibson writes in the proposal, "a single large and blankly enigmatic object: a shipping container." They are vintage Gibson: both the evocative idea and the book it became. --TomNecessary Losses
Friday, June 29th, 2007Daily Book News
Thursday, June 28th, 2007In a New Yorker Q&A, German writer Maxim Biller, who has a story in this week's issue, recommends some reading for his countrymen:
Which American writers do you think should be read more in Germany?Johnson's the real No. 1 for me too right now, but I'm not sure that he isn't more than a writer's writer in his own country either. Perhaps that will change when Tree of Smoke, his big Vietnam novel, comes out this fall. I had to put it aside halfway through (in the "1967" chapter) for pressing required reading, but it's still living intensely in my mind for when I return (soon).Denis Johnson is still not as well known in Germany as he should be. Everybody talks about Philip Roth and Thomas Pynchon, but the real No. 1--Johnson--is still only a writer's writer in my country.
One of my favorite critics, Douglas Wolk, drops a few bombs on both the superhero fans and the art comics crowd (he's a member of both) in an excerpt from his new book, Reading Comics: How Graphic Novels Work and What They Mean.
The excellent, upstart Virginia Quarterly Review previews their summer issue, including a lengthy and inspired critical miscellany by William Logan on Pynchon's Against the Day.
--Tom
Excellent Summer Reading
Thursday, June 28th, 2007
In case you didn't see their announcement post earlier this week, the Penguin Classics Reading Group has selected Excellent Women by Barbara Pym for their summer read. You can find the full blog post in our Reading Group topic, which also includes a list of titles you can vote on for the Fall pick.Many of you may have subscribed to the Penguin Classics blog for their earlier picks, Fifth Business and Kristin Lavransdatter. Since then, we've changed the look and feel of Amazon blogs, which you know now as Amazon Daily, and we wanted to give you some quick tips on how to continue participating in the book club.
- If you'd only like to read the Penguin Classics blog, you can customize your Amazon Daily view so you see only their posts. Go to "Customize Amazon Daily" in the top right corner of the Daily page. You'll see a list of all our blog topics. Uncheck all the topics except for Reading Group (it's akin to pulling out the sections of the Sunday paper that you don't want to read). This way, you'll only see posts from Penguin Classics in your Amazon Daily.
- If there are other topics you're interested in as well, feel free to keep those checked in the menu of topics. When you visit Amazon Daily, just go directly to the Reading Group topic, listed in the right column of the page under the heading "Books," to find the latest posts from Penguin Classics.
- Bookmark the Reading Group page in your browser so you can visit easily whenever you're online.
God and the Jetsons: Questions for Christopher Hitchens
Thursday, June 28th, 2007Having taken on Mother Teresa, Henry Kissinger, and Bill Clinton in the past, Christopher Hitchens has found his biggest target, and his biggest success, in his latest book, God Is Not Great: How Religion Poisons Everything, an "anti-theist" manifesto that has spent most of the spring in our top ten. For his book tour, he traveled across the United States debating various people of faith, from Al Sharpton to a Buddhist nun. When he got to Seattle his debating partner fell through, though, so he had to debate himself, but he did have a chance to meet some of us earlier for what one attendee called "the best author lunch ever," with a conversation that ranged from the customs of British boarding schools to his part ownership of '80s Manhattan nightlife magnet Indochine to his next book (with no new sacred cows on his radar, he might write a memoir) to the proper way to order a Johnny Walker Black Label. After, sitting outside on a lovely late spring day so he could smoke, we had the chance to ask Hitchens some questions about the new book. Here are some highlights, including the first use in this books blog, that we can remember, of the word "refulgent":
Amazon.com: To paraphrase Time magazine: "Why is God not dead?" It seems like God is more alive than he has been in a long time.
Hitchens: Well, I agree and disagree. Fundamentalism of a well-advertised kind is to be seen every time you turn on the TV or turn the page of a newspaper but I've discovered from my tour of the United States that I probably should have written a different book, or a different version of the book, for every single person I've met. You can't assume if someone says they're Catholic that they believe what the Pope says. You can't assume if someone says they're Jewish that they pray every morning, thanking God that he didn't make them a woman or a Gentile, as they're supposed to do. You can't assume of a Baptist that he thinks that John Calvin was right about Hell or predestination. Especially in this country, people take their religion a la carte. Probably a good sign, because it shows the effect of science and reason, acting as a sort of solvent on dogma.
Amazon.com: It's rare to think of visions of the future that include religion. They don't go to church in The Jetsons. But yet it remains with us.
Hitchens: We still have a need for the transcendent. I dare say even the Jetsons, if you talked to them earnestly enough about it, would say, look, you're standing in Cascadia at sunset, and you're hearing the strains of a Mozart symphony. Are you going to tell me that all life is is a chemical reaction? Surely there's a bit more to it than that. Of course everybody feels this.
Amazon.com: You want that oceanic feeling that William James talked about.
Hitchens: The oceanic feeling is a very good way of putting it. That's why those of us who are nonbelievers are not just nonbelievers. We just think that's a necessary not a sufficient condition. We urge people to spend time on the beauties of science, which are extraordinary, refulgent. On the wonders of literature, with its huge ethical and moral dimension, it's struggles over human nature. With music and art, and with the consolations of philosophy. That's enough for any human, more than enough for any lifetime. If you want the numinous and the transcendent, we're not going to try and take it away from you. But it can be appreciated without the supernatural, and it can be appreciated without groveling before the idea of a celestial dictatorship.
Amazon.com: You mention your own path through belief: not religious belief but Marxism. You were a Marxist in your early years--
Hitchens: In my later ones, too.
Amazon.com: You understand what it means to believe and what it means to come out of that.
Hitchens: Yes, I know what it's like to feel a certain kind of conviction falling away, so that you can wake up and find that it's almost gone, and feel it like a missing limb. I do know what that's like, and I do want people to know that though it can be like that feeling of a lost limb, that still twinges and pains you even though it's gone, that in general you feel better when you decide that you'll do your own thinking, and not have it done for you, that you'll take your chances in intellectual argument and do without the support of dogma or certainty. It is painful, but it's worth it.
--Tom
ALA: General Thoughts–And Beer!
Thursday, June 28th, 2007
I'd never been to a library conference before and it was fun to be around such knowledgeable and, yes, important people--the people who help to energize and create a reading audience. It was clear, too, that children's and young adult books were the most important part of the conference. In some ways, with more than 20,000 librarians in attendance, you couldn't really grasp the size of the event--in the same way that BEA and Comicon defy being experienced in full. So I pretty much was content to just listen and pick up as much as I could in a limited time. And that meant getting book recommendations and finding out more about the challenging facing librarians, many of which have to do with creative work-arounds for budget cuts.
One thing I can tell you for sure--the award for best display goes to Hale, which produces wooden bookcases. They had a very nice bar counter and their own brand of beer for passersby. More than one thirsty librarian had taken a break from the hectic nature of the very large exhibit hall to sit down and talk with the people from Hale. For my part, walking around the hall with a beer in hand made the whole experience that much more interesting...ALA also had a graphic novel exhibit area, with a significant presence from Marvel, Dark Horse, and many others. I spent a great deal of time perusing upcoming titles, some of which you'll read about here on the blog in months to come.
For more ALA reportage, read my blog entries on the SF panel and a great French restaurant.
--Jeff
The Prophet
Thursday, June 28th, 2007Librarians Just Say No to Patriot Act
Wednesday, June 27th, 2007
Wired reports
on librarians who refused to comply with the Patriot Act.
It's amazing how brave those librarians were. Most people would have folded at the first sight of an FBI badge.
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Life in an FBI muzzle is no fun. Two Connecticut librarians on Sunday described what it was like to be slapped with an FBI national security letter and accompanying gag order. It sounded like a spy movie or, gulp, something that happens under a repressive foreign government. Peter Chase and Barbara Bailey, librarians in Plainville, Connecticut, received an NSL to turn over computer records in their library on July 13, 2005. Unlike a suspected thousands of other people around the country, Chase, Bailey and two of their colleagues stood up to the Man and refused to comply, convinced that the feds had no right to intrude on anyone's privacy without a court order (NSLs don't require a judge's approval). That's when things turned ugly.Eventually, the gag order was rescinded by the government after the Patriot Act was renewed. And it all turned out to be much ado about nothing. The librarians refused to comply with a law they found invasive, but no criminal acts were ever discovered in connection with the affected library records.
The four librarians under the gag order weren't allowed to talk to each other by phone. So they e-mailed. Later, they weren't allowed to e-mail. After the ACLU took on the case and it went to court in Bridgeport, the librarians were not allowed to attend their own hearing. Instead, they had to watch it on closed circuit TV from a locked courtroom in Hartford, 60 miles away. "Our presence in the courtroom was declared a threat to national security," Chase said.
Forced to make information public as the case moved forward, the government resorted to one of its favorite tactics: releasing heavily redacted versions of documents while outing anyone who didn't roll over for Uncle Sam. In this case, they named Chase, despite the fact that he was legally compelled to keep his own identity secret.
It's amazing how brave those librarians were. Most people would have folded at the first sight of an FBI badge.
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Spielberg Snaps Up Rights to Children of the Lamp Series
Wednesday, June 27th, 2007
Author P.B. Kerr is heading for Hollywood: Stephen Spielberg just bought the film rights to his childrens' fantasy series, Children of the Lamp.
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The director's production company Dreamworks is to make a big screen adaptation of Children of the Lamp, which was penned by Philip Kerr for his son William to try and wean the ten-year-old off his PlayStation.Kerr was a well-known adult thriller writer when he turned to writing for teens. We absolutely love the Children of the Lamp books and have devoured every one when they come out. If you missed this amazing series, check out the first book, The Akhenaten Adventure. You can visit the author's website PBKerr.com.
The man behind blockbusters such as ET and Indiana Jones plans to turn the story of a group of genies who pass for humans, but have the power to grant wishes, into a trilogy with two more books to be converted into films. More than a million books have been sold in the series and, as the successor to popular fantasy series such as the Chronicles of Narnia and Harry Potter, he is about to reach a worldwide audience.
However Mr Kerr, 51, a former copywriter for Saatchi and Saatchi, who is married to another novelist, Jane Thynne, only ever thought he would be writing the children's books for his son. "I actually was writing an adult book at the time. My older boy was not much of a reader and did not enjoy reading. He had shunned reading for video games and television," he was reported as saying. "It seemed to be time for me to do something about that. I put aside the book I was working on and started to write this book for children. I wrote it really quickly and did not think I was going to get published."
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Daily Book News
Wednesday, June 27th, 2007
Refused Diana Review Printed
When the London magazine, The Spectator refused to print celebrity biographer Sarah Bradford's harsh review of celebrity magazine editor Tina Brown's , The Diana Chronicles , London newspaper The Guardian simply "couldn't resist" the opportunity. Bradford--who penned the bestselling bio Diana
last year-- found Brown's account "overblown and overhyped." Our 25
customer reviews offer widely varying opinions of Brown's book. We'll
let you be the judge.
Big Read Initiative Doubles in Size
The National Endowment of the Arts (NEA) has just announced that it is giving a big boost to the national Big Read program by providing $1.5 million in new grants to over 200 communities across the U.S. Publishers Weekly quotes NEA chairperson Dana Gioia on the The Big Read initiative: "By joining the Big Read, these cities and towns are showing that reading is necessary to the cultural, civic, even economic fabric of their communities." The list of titles from which participating communities can choose for a city-wide read this fall/winter features these great American novels and a few modern classics:
The Associated Press reports that a first edition of Harry Potter and the Philosopher's Stone (published as Harry Potter and the Sorcerer's Stone (Book 1) in the U.S.) just flew off a London auction block and into the hands of a anonymous buyer for $18,000. One wonders how many Galleons that would be in Wizarding money? Since only 500 to 1,000 copies of J.K. Rowling's debut were first printed back in 1999, they are rare are increasingly valuable to collectors. --Lauren
When the London magazine, The Spectator refused to print celebrity biographer Sarah Bradford's harsh review of celebrity magazine editor Tina Brown's , The Diana Chronicles , London newspaper The Guardian simply "couldn't resist" the opportunity. Bradford--who penned the bestselling bio Diana
last year-- found Brown's account "overblown and overhyped." Our 25
customer reviews offer widely varying opinions of Brown's book. We'll
let you be the judge.Big Read Initiative Doubles in Size
The National Endowment of the Arts (NEA) has just announced that it is giving a big boost to the national Big Read program by providing $1.5 million in new grants to over 200 communities across the U.S. Publishers Weekly quotes NEA chairperson Dana Gioia on the The Big Read initiative: "By joining the Big Read, these cities and towns are showing that reading is necessary to the cultural, civic, even economic fabric of their communities." The list of titles from which participating communities can choose for a city-wide read this fall/winter features these great American novels and a few modern classics:
- Bless Me, Ultima by Rudolfo Anaya
- Fahrenheit 451 by Ray Bradbury
- My Antonia by Willa Cather
- The Great Gatsby by F. Scott Fitzgerald
- The Maltese Falcon by Dashiell Hammett
- A Farewell To Arms by Ernest Hemingway
- Their Eyes Were Watching God by Zora Neale Hurston
- To Kill a Mockingbird by Harper Lee
- The Heart Is a Lonely Hunter (Oprah's Book Club) by Carson McCullers
- The Grapes of Wrath (Penguin Classics) by John Steinbeck
- The Joy Luck Club by Amy Tan
- The Age of Innocence (Norton Critical Editions) by Edith Wharton.
The Associated Press reports that a first edition of Harry Potter and the Philosopher's Stone (published as Harry Potter and the Sorcerer's Stone (Book 1) in the U.S.) just flew off a London auction block and into the hands of a anonymous buyer for $18,000. One wonders how many Galleons that would be in Wizarding money? Since only 500 to 1,000 copies of J.K. Rowling's debut were first printed back in 1999, they are rare are increasingly valuable to collectors. --LaurenKorean War
Wednesday, June 27th, 2007
In this novel, a young Korean-American woman must battle her parents to grow up.
Nazik al-Malaika, 83, Poet Widely Known in Arab World, Is Dead
Wednesday, June 27th, 2007
Nazik al-Malaika was an early exponent of the free verse movement in Arabic.
Essay: Writers Like Me
Wednesday, June 27th, 2007
For most black authors, the writing life rarely unfolds the way it does for so many white writers you could name.